State Theatre presents Todd Snider at Port City Music Hall | Arts & Culture

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State Theatre presents Todd Snider at Port City Music Hall
State Theatre presents Todd Snider at Port City Music Hall

TODD SNIDER

PORT CITY MUSIC HALL

504 Congress St.

Portland, ME

www.statetheatreportland.com

March 24 at 8pm

Tickets go on sale FRIDAY, January 18 at 10am.  BUY TICKETS by phone at 888-512-SHOW and online at www.statetheatreportland.com

$18 Advance / $20 Day of Show / $35V.I.P.  18+. 

Todd Snider is on the happy back end of happy hour at a favorite East Nashville bar, talking about his new album Agnostic Hymns & Stoner Fables. "This record doesn't come from good times," Snider says. "I wanted to sound the way I feel, which sometimes means sounding like a broken soul."

On the 10 new songs, Snider doesn't talk around the vulnerable part, or the angry part, or the part about how everything we're taught about goodness and righteousness and capitalism, about God and family values winds up exploding into violence and chaos, wonder and longing. He might carry the mantle of "storyteller" – it's what he titled his live record, after all – but Agnostic Hymns & Stoner Fables is anything but a nice, folk/Americana troubadour album.

Musically, Snider and co-producer Eric McConnell sought a sound that mirrored the times and that didn't replicate anything they'd done together. With McConnell on bass and Snider playing guitar and harmonica, they gathered a core band of percussionist Paul Griffith, violinist/vocalist (and gifted songwriter) Amanda Shires, and keyboard player Chad Staehly, along with guest guitarist Jason Isbell and harmony vocalist Mick Utley, and offered up a sonic mission.

The result is something disconcerting, cracked and wholly original. It's something that stands apart from the music of Snider's heroes, and from Snider's own, much-celebrated past. Agnostic Hymns & Stoner Fables is Snider's 12th album, and it uses its predecessors not as a compass but as a trampoline. Snider found different song forms, different inspirations and different means of expression. He paints a world where begging turns to mugging, where investment turns to ruin, where babies grow into felons, where honesty is blunt trauma: "Wish I could show you how you hurt me in a way that wouldn't hurt you, too," he sings. And there's no way.

 

www.toddsnider.net

 

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www.statetheatreportland.com

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